Court Of Gold's Director Told Me He And His Crew Had ‘Full Access’ To Olympic Teams, But One Major Condition Was Agreed To Early On

Steve Kerr and Anthony Edwards speak on Court of Gold
(Image credit: Netflix)

The 2024 Summer Olympics in Paris were filled with memorable events, like the triumphs of “Pommel Horse Guy” Stephen Nedoroscik and the performance of breakdancer Rachael “Raygun” Gunn. I personally enjoyed watching the men’s basketball teams, which is deftly chronicled in Netflix’s Court of Gold. The docuseries debuts amid the 2025 TV schedule this month and, as part of it, the creatives were granted full access to several teams. Yet, as the director told CinemaBlend, a key condition had to be decided upon beforehand.

Jake Rogal had the job of helming this six-part show, which details the exploits of the Olympic basketball players competing for the gold. I was fortunate enough to speak with Rogal about his latest venture, which will soon be streamable alongside the best shows on Netflix. After watching the doc, I wondered if he and his collaborators truly had full filming access amid production, and he confirmed that they did. However, Rogal also told me that he himself made something very clear with the coaches from the jump:

We had full access. It was up to the coaches how much access they wanted to give us. And we told them, ‘Look, man, if it's an intense moment, throw us out of the locker room if you have to. We understand that's how this works.’ So they let us in at first and they would kick us out in times of intense moments when they felt like but [Serbia] coach Pešić being the number one person to kick us out of the locker room. But, yeah, we had full access. We established good rapport with the teams. The IOC put us in amazing positions, and the coaches had ultimate control over that locker room. So they were the ones dictating the access.

I appreciate how upfront Jake Rogal was with the coaches. What his comments indicate to me is that while making the documentary series, he had a great level of respect for his subjects. I’d also imagine that such a stipulation took some of the pressure off the teams as well. Considering the agreement, none of them would have to worry about trying to dodge cameras while in the midst of a stressful moment. Despite that, Rogal and his crew did still manage to capture some truly tense situations.

More on Sports Documentaries

Honestly, it probably shouldn’t be all that surprising that the filmmaker approached Court of Gold in such a thoughtful way. He’s had plenty of experience when it comes to sports documentaries, as he’s served as a producer on excellent productions like Biography: WWE Legends and André the Giant. On top of that, he also co-produced ESPN’s Emmy-winning docuseries The Last Dance (which is currently available to stream with a Netflix subscription).

When it comes to Jake Rogal’s latest series, fans will follow the players and coaching staff of four men’s Olympic basketball teams – USA, Canada, France and Serbia. Each squad includes a collection of unique players and personalities from Kevin Durant and Nikola Jokić to Shai Gilgeous-Alexander and Nicholas Batum. Viewers also get to see and hear from Victor Wembanyama – the French basketball phenom who’s currently on the rise in the NBA.

The creative team’s high level of access, which is how they were ultimately able to pack so much into the show. As the Court of Gold trailer teases, there are some truly raw moments to behold. You can check out the docuseries for yourself when it hits Netflix on February 18.

Erik Swann
Senior Content Producer

Erik Swann is a Senior Content Producer at CinemaBlend. He began working with the publication in 2020 when he was hired as Weekend Editor. Today, he continues to write, edit and handle social media responsibilities over the weekend. On weekdays, he also writes TV and movie-related news and helps out with editing and social media as needed. He graduated from the University of Maryland, where he received a degree in Broadcast Journalism. After shifting into multi-platform journalism, he started working as a freelance writer and editor before joining CB. Covers superheroes, sci-fi, comedy, and almost anything else in film and TV. He eats more pizza than the Teenage Mutant Ninja Turtles.

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