Moving's Director Just Revealed The 'Main Challenge' Of Shooting A 20-Episode Superhero Show, But I Think They Pulled It Off
It's rare to see a twenty-episode superhero series nowadays.
In this era of TV, Moving is something of a rarity for a few reasons. A big cause for that, though is that it's a superhero show that features a twenty-episode season. (Arrowverse fans are surely familiar with those kinds of runs.) Such a creative decision is bold, especially given how much work is required. Series director Park Inje and his team were up for it, though, and succeeded in making a compelling show. CinemaBlend actually had the chance to speak with Inje about his work on the show, during which he explained the "main challenge" that came with producing the series.
For those who don't know, Moving is a South Korean drama series that follows the lives of teenagers who have secret superpowers as well as their parents, who find out about their gifts. From there, plenty of interesting developments ensue. The show is adapted from a beloved webtoon of the same name. So, considering that there's source material to abide by, the creative team already had a serious challenge ahead of it.
Park Inje is a well-known name within the South Korean TV industry for his work on another popular South Korean Netflix series, Kingdom. He was certainly equipped to take on this particular gig, but that doesn't necessarily mean it was easy. When we had the opportunity to speak with him, he discussed the struggles of trying to keep the audience's attention over such a lengthy run. Which can be difficult in a world where superhero show fans are used to more condensed storylines throughout a few episodes:
I can certainly understand the hurdles he and his collaborators had to overcome while crafting this series. I can't imagine having to plot out a cohesive story with som much narrative real estate. But ultimately, their efforts were not in vain, and the show has garnered critical acclaim and international popularity. It even even scored a 2024 Critics Choice Awards nomination for Best Foreign Language Series.
What makes Moving such a great series compared to many other superhero shows is that there are so many characters to follow. Each has a designated storyline that feels like it belongs in the story – but what makes it even better is that the narrative still flows even if you feel like watching some episodes out of order.
There are plenty of great superhero seriess, like The Boys (which is of Amazon Prime's best shows and is returning for Season 4) and WandaVision (one of Disney+'s best shows). However, every episode of programs like that must be watched in succession. But, when it comes to Moving, Park Inje encouraged people to watch different episodes of the twenty-episode season if they were craving different genres:
I'm someone who has grown up watching the best superhero movies and has since moved onto watching every Marvel TV show imaginable. With that said, I didn't think there would be a moment where I would get tired of the idea of people flying around or shooting lasers from their eyes. But I did reach that point (as many others did during Marvel's mixed Phase 4 slate ). So I'm grateful to Moving for reigniting my love of superheroes -- so much so that I was willing to watch all 20 episodes of this with no problem. Kudos to Park Inje and co. for crafting such a strong show and telling the story with ease using so many installments.
CINEMABLEND NEWSLETTER
Your Daily Blend of Entertainment News
Those who desire a different kind of hero-centric offering should grab a Disney+ subscription to check out Moving, and Hulu subscribers have access to it as well. And be sure to stay locked on the 2024 TV schedule for upcoming releases.
A self-proclaimed nerd and lover of Game of Thrones/A Song of Ice and Fire, Alexandra Ramos is a Content Producer at CinemaBlend. She first started off working in December 2020 as a Freelance Writer after graduating from the Pennsylvania State University with a degree in Journalism and a minor in English. She primarily works in features for movies, TV, and sometimes video games. (Please don't debate her on The Last of Us 2, it was amazing!) She is also the main person who runs both our daily newsletter, The CinemaBlend Daily, and our ReelBlend newsletter.