Pixar Developed Technology To Bring More Diversity To The Background Of Every Turning Red Scene
The animation studio is making moves for representation.
In recent years, Disney as a whole has made a larger effort to include more representation in its films, with animation studio Pixar being part of this. Coming up next month is the studio’s first Asian-led story, Turning Red. The Disney+ exclusive release will tell the story of a middle-schooler who suddenly transforms into a giant red panda amidst navigating the awkwardness that comes with being a young teenager. Not only does the animated movie feature representation front and center, the studio is making a larger effort to bring diversity in just about every aspect of the production.
CinemaBlend had the chance to check out the first 20 minutes of Turning Red ahead of the movie coming to those with a Disney+ subscription next month. The film's early scenes establish a world full of pastels and ‘90s nostalgia as it follows Mei’s coming-of-age story growing up in Toronto, Canada.
Right away, I noticed the rich cast of background characters that truly captures the melting pot of the Ontario capital. Turning Red’s director Domee Shi spoke about what goes on behind the scenes to bring diversity in the film’s animation to life. In her words:
As Domee Shi described during our interview, there’s a lot of thought that goes into every frame of a Pixar movie these days. If you look closely, you’ll see an additional effort from the animation studio to represent the rich array of cultures and people living in Toronto. The director, who previously helmed the Academy-Award winning short Bao, continued:
Not everyone would certainly think right away to pencil in a student wearing an Insulin pump in a Pixar film, but because the studio is spending more time on diversity, its team thought to add it in. You can see a character wearing one in this screenshot from the Turning Red trailer:
Insulin pumps are small computerized devices that people with diabetes often wear on their arms. It allows them to receive insulin through a small tube that goes under their skin steadily throughout the day and night. For someone who uses one on a regular basis, to see a character in animation wearing an Insulin pump could mean they are seeing themselves being represented on screen and contributing to it being normalized to a general audience.
Turning Red’s producer Lindsey Collins also spoke to us about how Pixar is ensuring there is more representation in their movies, even in the background. In her words:
While shooting in live-action can allow for an honest population of people to be represented, everything in animation must be created from scratch. For Turning Red, Pixar has created a system to make sure that there is more diversity in the background of shots in a way that attempts to override the inherent bias of the team working on the project. Lindsey Collins continued:
It's pretty amazing the ways in which Pixar is finding ways to be more inclusive in its animated films. Check out more of CinemaBlend’s interview with Domee Shi and Lindsey Collins and learn more about Turning Red ahead of the movie’s release on March 11.
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Sarah El-Mahmoud has been with CinemaBlend since 2018 after graduating from Cal State Fullerton with a degree in Journalism. In college, she was the Managing Editor of the award-winning college paper, The Daily Titan, where she specialized in writing/editing long-form features, profiles and arts & entertainment coverage, including her first run-in with movie reporting, with a phone interview with Guillermo del Toro for Best Picture winner, The Shape of Water. Now she's into covering YA television and movies, and plenty of horror. Word webslinger. All her writing should be read in Sarah Connor’s Terminator 2 voice over.