Werewolf By Night Writer And Producer On Whether The Monstrous Hero Could Still Be Created Practically In Future MCU Projects
The wolfman came to stunning life in the TV special.
Werewolf by Night, Marvel’s critically acclaimed Halloween special, appealed to viewers for a number of reasons. Many seemed to appreciate its self-contained story as well as the new characters it introduced, including the delightful and important Swamp Thing. Of course, viewers were also enthused by its commitment to emulating classic monster movies, and one of the ways the producers did this was by extensively utilizing practical effects. Even the titular character was created practically, and the results were very impressive. Though one can’t help but wonder if that will continue to be the case for him moving forward, and one of the show’s writers has weighed in on that.
Gael García Bernal was the actor who played the aforementioned wolfman, and he put some exceptional work into his Marvel Cinematic Universe debut. The practical approach for his transformation definitely worked here but, given that it’s very specific to the vibe of the TV special, there’s always the chance that this style changes should the wolf show up again. I recently caught up with Werewolf by Night scribe Heather Quinn and asked for her thoughts on the matter. While she couldn’t say for sure how Marvel Studios might handle things moving forward, she still provided some diplomatic thoughts:
That’s a fair point, and there’s a good chance that studio head honcho Kevin Feige and co. are already thinking about how to proceed. As Heather Quinn said, it just all depends on the kind of story that’s being told. This Halloween special is pretty small compared to other MCU productions, and that made it a perfect testing ground for a real, old-fashioned monster transformation. That may not necessarily work for upcoming Marvel movies or TV shows that have a heavier reliance on CGI and require the character to do more from a physical standpoint. As of right now, one thing that’s very evident is that Quinn and her colleagues really appreciated the chance to use classic techniques, and she believes it did a lot for the hairy hero:
The preservation of Gael García Bernal’s performance is definitely one of the great things that results from the practical approach. Sure, the MCU has done a solid job with the effects on characters like the Hulk. But it’s hard to argue against just how impactful it is for one to actually see Bernal underneath the hair and makeup.
Aside from how Jack Russell’s alter ego will be crafted moving forward, there are a number of other questions to consider after Werewolf by Night. There’s been no indication as to whether Jack Russell, Man-Thing (or Ted) and Elsa Bloodstone will definitely return, so the jury is out there. The special’s position in the franchise’s timeline also isn’t even clear (as the creative team didn’t have to worry about that crucial MCU element). Still, it’s clear that monsters are being set up for the cinematic universe, meaning there’s a firm chance they’ll all show up again at some point.
I’m personally hoping that Marvel’s wolfman will still be a practical creation whenever we see him again. And if the studio does have to change things up to better accommodate that said production, let’s hope the product is as impressive as what fans got to see during the character’s debut.
Werewolf by Night is streaming now, and you’ll want to grab a Disney+ subscription if you’re angling to check it out. Also, be sure to stay in the know on other small-screen offerings by looking over the 2022 TV schedule.
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Erik Swann is a Senior Content Producer at CinemaBlend. He began working with the publication in 2020 when he was hired as Weekend Editor. Today, he continues to write, edit and handle social media responsibilities over the weekend. On weekdays, he also writes TV and movie-related news and helps out with editing and social media as needed. He graduated from the University of Maryland, where he received a degree in Broadcast Journalism. After shifting into multi-platform journalism, he started working as a freelance writer and editor before joining CB. Covers superheroes, sci-fi, comedy, and almost anything else in film and TV. He eats more pizza than the Teenage Mutant Ninja Turtles.