Ahead Of Godzilla X Kong: The New Empire, IMAX Explains How They Get The Picture Just Right
A lot of work goes into getting it just so.
We’re just a few weeks away from the much-anticipated release of Godzilla X Kong: The New Empire, and I am fired up to see the story continue. Over the last several years, the shared universe monster franchise has gone from wacky idea to ultra-popular series thanks to a stream of good movies, and the latest installment looks ready to build off all that success. It also looks like a visual marvel, which should come as no surprise to anyone who saw the earlier movies. It’s among the most spectacular-looking franchises we have; so, ahead of the movie, we decided to visit the IMAX headquarters in Los Angeles and Toronto to find out why it looks so good.
While there, we got a chance to sit with and interview a bunch of IMAX’s leading scientists who walked us through the process of supporting movies like Godzilla X Kong. It turns out that support starts all the way at the beginning with picking out the right camera. IMAX spends countless hours every year testing new camera models and figuring out what delivers the best picture on their premium format screens. Then, they partner with many of the biggest blockbusters of the year to use those cameras and shoot footage designed directly to go to IMAX. Here’s how Director Of Camera Operations David Kempling described those testing processes to us…
That interview was part of a much longer one we did on The Science of IMAX. During it, Kempling also talked about how their goal at IMAX is to make the audience feel like they’re peeking over a fence into another yard to see the story unfold. That’s different than the window analogy people have typically associated with cameras, and it helps give a sense of that freedom of movement better cameras and larger screens can give filmmakers. You can check out more of our interview below, as well as shots from Godzilla X Kong that hint at the expansive wonder you’ll see on the big screen.
When movie fans talk about the cinematography or an individual shot in a particular movie, that conversation is typically framed from an artistic standpoint. They’re appreciating what the Director Of Photography is doing with angles or perspectives or color schemes and how, in that specific moment, that creative choice is helping to make the scene pop. That creative process, however, starts with choosing the right camera that can deliver the required shot, and that’s what IMAX is there to help them do.
Godzilla X Kong: The New Empire hits theaters on March 29th. You can find it in IMAX at your local AMC Theater.
The preceding content was created as part of a larger partnership with IMAX and AMC Theaters.
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Mack Rawden is the Editor-In-Chief of CinemaBlend. He first started working at the publication as a writer back in 2007 and has held various jobs at the site in the time since including Managing Editor, Pop Culture Editor and Staff Writer. He now splits his time between working on CinemaBlend’s user experience, helping to plan the site’s editorial direction and writing passionate articles about niche entertainment topics he’s into. He graduated from Indiana University with a degree in English (go Hoosiers!) and has been interviewed and quoted in a variety of publications including Digiday. Enthusiastic about Clue, case-of-the-week mysteries, a great wrestling promo and cookies at Disney World. Less enthusiastic about the pricing structure of cable, loud noises and Tuesdays.