Tonight I was attacked by ninjas. No, not the cool guys with black masks and swords. Motorcycles. They buzzed me on the highway doing crazy tricks and endangering all our lives while I plodded along in my Nissan Maxima unable to attract females with my lack of showy display. But then the kind of girl I’d want to attract (if my wife would let me) isn’t the type that would care about popping wheelies in heavy traffic. That kind of girl is Tina Fey.
I can’t have her, but that’s only because she’s under contract to Paramount, having just made a deal with them to write Curly Oxide and Vic Thrill. Fey has already proven herself to not only be good looking in that smart/sexy way that only she and Natalie Portman really capture, but also to be pretty talented with a pen to.
The concept though is a weird one, pairing a Hasidic Jew with a grizzled rock musician to form a kick ass super-band. Hasidic Jews I guess are supposed to be funny. Personally, I only accept Jew humor when its sung by Adam Sandler. But that’s the sort of thing you expect when you’re writing stuff for Lorne Michaels, who has wormed his way into yet again to another project. Remember, if he thought you’d pay for it, he’d be only too happy to produce Night at the Roxbury 2.
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