Marvel Isn't Planning Ahead Nearly As Much As People Think
Marvel Studios has certainly earned its reputation as a forward-thinking company. After all, it was planning ahead that allowed them build the Marvel Cinematic Universe after releasing Jon Favreau’s Iron Man in 2008, and they currently have release dates lined up through the summer of 2019. But while this image of the company has painted a picture in some minds that every detail of every film or TV show has already been pre-planned, that’s actually a misapprehension. Instead, Marvel Studios President Kevin Feige has insisted that things aren’t actually laid out to the degree that many fans think it is.
The subject was broached when I recently had the chance to sit down with the executive/producer during a press event held for The Avengers: Age of Ultron, and it came up during a discussion of the massive Phase Three slate that was announced last October (and has since added a Spider-Man movie into the mix). Discussing what can be described as invisible flexibility within the schedule, Feige explained to me,
So when does that connectivity wind up fostering itself within the plans at Marvel? As Kevin Feige put it, it’s really not until the details are being hammered out within the individual projects. Instead of forcing threads, they instead look at the actions and motivations of the characters and let the links reveal themselves organically (with a little bit of creative ingenuity, of course). Said the producer,
Of course, this is all not to say that there aren’t big picture ideas in play, as the franchise has been clearly developing towards Infinity War for a number of years now, but this also goes a long way in explaining how a new Spider-Man movie can suddenly be tossed into the middle of Phase Three without causing a massive ripple effect. At the same time, it does make us fascinated to see what connective tissues do wind up being established in the future.
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Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.