Pixar Has A Secret Formula For Making Audiences Cry
A great movie is an emotional journey. The movie makers at Pixar have become masters of taking us on emotional journeys over the years. Now we know who’s to blame for making us pull out the tissues whenever we sit down for a "fun" Pixar movie.
Speaking with The Hollywood Reporter, Kevin Nolting, editor of this weekend’s big release Inside Out says there is a secret to making those emotional moments work:
Pete Docter was also the director for one of Pixar’s previous features, Up! so he does know a thing or two about emotional content. That film contained a sequence, only about four minutes long and without any dialogue, that took viewers through the entire married life of lead character Carl and his wife Ellie. We’re pretty sure it makes Terminators cry. Del Carmen was also a story supervisor on both Up! and Finding Nemo.
We know Inside Out deals with the emotions and memories of the child Riley so there will certainly be ample opportunity for Pixar to tug on the heartstrings again. At the same time, as Nolting says, it’s something that they work to earn, not just an emotional moment for the sake of having one. It can be difficult to prevent attempts at emotion from becoming corny, especially in an animated film, where the characters are another step removed from reality, but Pixar seems to have truly found the way to make the emotion come through. Whether it’s the death of Ellie in Up!, or Nemo’s mother in Finding Nemo, the loneliness of Wall-E, the separation of Boo and Sully in Monsters Inc., the letting go of one’s childhood in Toy Story 3, the...I...I’m sorry, where was I?
Inside Out is sure to be an emotional rollercoaster but it will be one be one worth riding for most fans. The only problem is that we’re usually given about a year to recover from these journeys, and this time we only have a few months. Pixar’s next film, which we also expect to be ripe with potential tear jerking, The Good Dinosaur will be out this fall.
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CinemaBlend’s resident theme park junkie and amateur Disney historian, Dirk began writing for CinemaBlend as a freelancer in 2015 before joining the site full-time in 2018. He has previously held positions as a Staff Writer and Games Editor, but has more recently transformed his true passion into his job as the head of the site's Theme Park section. He has previously done freelance work for various gaming and technology sites. Prior to starting his second career as a writer he worked for 12 years in sales for various companies within the consumer electronics industry. He has a degree in political science from the University of California, Davis. Is an armchair Imagineer, Epcot Stan, Future Club 33 Member.