The Pulp Fiction Scene That Burr Steers Kept Screwing Up, And Why
Before he moved behind the camera to make movies like Igby Goes Down and the upcoming Pride and Prejudice and Zombies, Burr Steers was actually an actor in Hollywood… and there’s a very good chance you vividly remember one of his scenes. In Quentin Tarantino’s Pulp Fiction, he played “Flock Of Seagulls,” a.k.a. the guy on the couch who gets shot and killed while Samuel L. Jackson’s Jules interrogates Frank Whaley Brett about the mysterious briefcase. This is one of the most iconic scenes of the film, and as a result modern cinema, however, there is one thing you may not know about it: Steers repeatedly messed up takes due to his animated reactions to the sequences’ gunshots.
I recently attended a press day for Pride and Prejudice and Zombies in Los Angeles, and after a long one-on-one conversation with Burr Steers about his new period zombie film, I asked if he had any particularly vivid memories about the making of Pulp Fiction. His response came with a wide smile, and will give fans of the brilliant crime movie another great piece of trivia to chew on:
Thinking back on the Pulp Fiction sequence, one can legitimately understand why Steers had such a difficult time looking dead in time of gunfire. After all, the scene was shot in a pretty small apartment, meaning that the sound of blanks being fired didn’t have anything to do but bounce around the walls and into the actors’ eardrums. Gun shots are loud even in open environments, so one can get why Steers had such trouble with it.
Fortunately, you can’t really see Flock Of Seagulls moving in the final cut of the film, so all did work out for the best.
In addition to playing a small role in Pulp Fiction, Burr Steers was also a Radio Play Background Voice in Tarantino's Reservoir Dogs - but he hasn't acted since playing Van in Whit Stillman's 1998 film The Last Days Of Disco. Instead, he’s been working behind the scenes, doing both movie work and TV episodes of shows like The New Normal, Weeds and Big Love.
You’ll be able to see Burr Steer’s most recent work, Pride and Prejudice and Zombies, quite soon, as the film will be in theaters on February 5th.
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Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.