Why The Later Terminator Movies Don't Affect Genisys
Alan Taylor’s Terminator: Genisys is a very odd kind of sequel. The movie doesn’t actually erase continuity, instead choosing to add to the established franchise mythology; but it also in many ways serves as a reboot/rewind, in that it basically ignores the events of not just Terminator: Rise of the Machines and Terminator Salvation, but also the television series Terminator: The Sarah Connor Chronicles. Surely there are some completists out there who will take issue with this, but the reality is that the writers of the latest sequel have a completely justifiable reason for this approach: all of those stories did take place, though on other timelines within the Terminator multiverse.
This past weekend I had the fantastic opportunity to nerd out with Terminator Genisys screenwriters Laeta Kalogridis and Patrick Lussier during the movie’s Los Angeles press day, and it was while discussing their study of the larger Terminator franchise that they described their approach to Rise of the Machines, Salvation, and The Sarah Connor Chronicles. I asked them if an analysis of the series timeline was part of their writing process, and after Kalogridis noted the significance of branching into a new timeline, Lussier explained why the more significant role for Kyle Reese (played by Jai Courtney) allowed them some freedom of focusing more on James Cameron’s first two Terminator films. He explained,
Following up, Laeta Kalogridis noted that Kyle does make appearances in Terminator: The Sarah Connor Chronicles, but added that even that show really stands as its own branch of the same universe because of how it links to Terminator: Rise of the Machines and Terminator Salvation (or, more accurately, doesn’t). She said,
Of course, if all goes according to plan we will see a much bigger expansion of the new Terminator Genisys timeline in the coming years, as Paramount Pictures and Skydance have said that the idea is for this new movie to launch an entirely new trilogy. Whether or not that future will come to pass is a mystery at this stage, but fans will be able to see how it all begins when the movie arrives in theaters on Wednesday, July 1st.
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Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.