The Girl On The Train's Ending, And What The Director Learned From The Help
SPOILER WARNING: The following article contains major spoilers for The Girl On The Train. If you have not yet seen the film, and don't want to learn details about the ending, we recommend clicking away to another one of our wonderful articles.
When books hit the silver screen, not everything in the story stays the same. History is filled with plenty of adaptations that changed key elements from the source material -- and generated controversy as a result. This was a situation that director Tate Taylor found himself looking at when starting his work on the making of The Girl On The Train, deciding what he would change from the book and what would remain. When it came to the ending, he learned from his experience making The Help that there's no reason to alter the material, basically because you shouldn't mess with perfection.
Earlier this month I had the pleasure of chatting with Tate Taylor over the phone about his new film, and now that The Girl On The Train is in theaters, I can dive into the spoiler-y material that he discussed. Acknowledging that the ending in the movie is very similar to the ending in the book, I asked the director if there were any talks about changing elements or doing things differently in the adaptation. Referencing a certain notorious desert in his 2011 movie, Taylor said,
For those that haven't seen The Help or don't remember the details of the ending (how could you forget?), the "shit pie" is a literal pie made with shit that is served by Octavia Spencer's Minny Jackson to Bryce Dallas Howard's Hilly Holbrook. One can see Tate Taylor's perspective on this one, as it is a bit "blue," but most would agree that it's one of the best moments in the film, and certainly the most memorable (seriously, how could you forget?).
As for The Girl On The Train, the ending is definitely a strength borrowed from writer Paula Hawkins, with the big twist revealing that Emily Blunt's Rachel has been a victim of gaslighting at the hands of her ex-husband, Justin Theroux's Tom. In addition to being something that fans of the book very much enjoyed, it's also worth noting that it would have been very hard to remove from the adaptation, just because it's so built into the narrative up until the reveal. Basically, it's for the best that Tate Taylor made the move that he did.
Do you agree with Tate Taylor that the ending of The Girl On The Train needed to stay exactly the same as its source material? Hit the comments section below with your thoughts.
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Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.