The Real Reason Baywatch Went Hard R Instead Of PG-13, According To The Rock
There's a very clear reason why we see so many PG-13 blockbusters hit theaters during the summer: kids are out of school, and it's a perfect time to try and heard them into the local multiplex. This, however, is an approach that the new movie Baywatch tosses to the wind, as star Dwayne Johnson was able to convince the Paramount Pictures to make the film as an R-rated comedy. Why? Both because he felt it would result in a better version of the movie, and because it fits better with his own personal tastes.
I caught up with Dwayne Johnson during the Baywatch press day in Miami, Florida earlier today, and after discussing his collaboration with co-star Zac Efron, I turned the conversation to the R-rating. Given that Johnson has made movies for all demographics, I asked about his personal sensibilities and whether or not the new film was ever looking at a PG-13 rating. The wrestler-cum-actor acknowledged that the project was courting younger audiences when he was first considering the feature- but he convinced them of a different way to go. Said Johnson,
That wasn't the only change that Dwayne Johnson was able to inspire, however. In coming to Baywatch, the star really wanted to change expectations about what the film would be, and as he put it, "take models that worked in the past and then flip them." He explained,
It's worth pointing out that the idea of making an R-rated version of a classic TV show is something that we have seen before -- but given the success of, for example, the 21 Jump Street movies, it certainly made sense as a natural path for Baywatch to follow. And it certainly won't be the last comedy to pivot in that direction.
You can watch Dwayne Johnson talk about steering Baywatch into an R-rated direction watching the video below.
Baywatch, which co-stars Zac Efron, Alexandra Daddario, Kelly Rorbach, Jon Bass, and Ilfenesh Hadera, arrives in theaters this Friday.
CINEMABLEND NEWSLETTER
Your Daily Blend of Entertainment News
Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.