The Actual Problem With The Dark Tower Movie, According To Stephen King
Stephen King saw two major adaptations up on the big screen this year. One of them, IT, was a massive hit. The other project, The Dark Tower, was not. Stephen King has an idea why the latter movie didn't work. While the author is hesitant to be too critical of the film, because he liked a lot of the people involved in its production, he does believe that The Dark Tower suffered due to the edict that the movie be treated as a major tentpole release, thus requiring it to have a PG-13 rating in order to allow a broad audience to see it. According to King...
From a structural standpoint, it's easy to see why a studio would view The Dark Tower as a potential tentpole franchise. It's a massive story that covers seven books, and thus could be even more movies. It's got elements of the western, as well as both fantasy and science fiction. It has a lot of the sort of material that makes up the modern tentpole blockbuster movie. Those movies are all also rated PG-13 in order to include the largest audience, but from the POV of the guy who wrote the book series, it may have needed a harder edge to stay faithful to the material.
However, while The Dark Tower may look like a major franchise candidate from the outside, the actual story really isn't that sort of tale. Those elements are used in unique, and often bizarre, ways. It's not really a PG-13 summer movie sort of story, and Stephen King tells Entertainment Weekly that trying to make it fit that mold really dulled the edges and turned into a generic action movie that people had seen before.
Still, there's a core audience of fans of The Dark Tower who, had they embraced the film, might have been able to make it successful. Unfortunately, the story the fans got was something very different from the one the books told, which is something else Stephen King says didn't work, though he tried to stop it.
It certainly was an interesting decision to include elements in The Dark Tower movie that weren't even hinted at until much later in the books. It's also interesting that the author tried to voice concerns and nobody apparently listened. One wonders if the lukewarm reception of the film might change that in the future.
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CinemaBlend’s resident theme park junkie and amateur Disney historian, Dirk began writing for CinemaBlend as a freelancer in 2015 before joining the site full-time in 2018. He has previously held positions as a Staff Writer and Games Editor, but has more recently transformed his true passion into his job as the head of the site's Theme Park section. He has previously done freelance work for various gaming and technology sites. Prior to starting his second career as a writer he worked for 12 years in sales for various companies within the consumer electronics industry. He has a degree in political science from the University of California, Davis. Is an armchair Imagineer, Epcot Stan, Future Club 33 Member.