The Pitch For A Quiet Place Did Not Go Over Well With Almost Everyone Who Heard It
A Quiet Place has become one of the biggest movies of the year thanks to a completely original concept that is executed near perfectly. However, not everybody saw the film's potential originally. It turns out the premise was so unique that pretty much nobody really got the movie when it was presented to them. The producers behind the movie have recently spoken about the difficulties that came with pitching the idea to studios. As producer and co-writer Bryan Woods says, even those they expected would cut them a break just didn't seem to get it. According to Woods...
On paper, as the movie literally was at that point, it's understandable how a studio executive might not understand a movie like A Quiet Place. Even if your goal is to make "good movies" rather than simply make money, those good movies still have to make money, or eventually, you can't make good movies anymore. A movie with little or no dialogue sounds like something that wouldn't appeal to the mass market and thus would have trouble being financially successful.
Even the studio that eventually did produce A Quiet Place, Platinum Dunes, knew they were taking a risk with the movie. Co-founder of the studio Andrew Form told Slate that it wasn't simply the premise that the studio was taking a risk on. They were also putting a great deal of faith in John Krasinski. As writer, director, and star of the movie, everything was riding on him.
Luckily, the faith was not misplaced. A Quiet Place has grossed over $300 million around the world on a reported budget of less than $20 million, making it not only one of the highest grossing films of the year, but also one of the most profitable. It's minimal use of dialogue, rather than pushing audiences away, has engaged them even more, and made many much more conscious of their movie theater behavior, which isn't a bad thing either. With a sequel reportedly in the early stages, A Quiet Place has transformed from risky venture to full-on franchise.
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CinemaBlend’s resident theme park junkie and amateur Disney historian, Dirk began writing for CinemaBlend as a freelancer in 2015 before joining the site full-time in 2018. He has previously held positions as a Staff Writer and Games Editor, but has more recently transformed his true passion into his job as the head of the site's Theme Park section. He has previously done freelance work for various gaming and technology sites. Prior to starting his second career as a writer he worked for 12 years in sales for various companies within the consumer electronics industry. He has a degree in political science from the University of California, Davis. Is an armchair Imagineer, Epcot Stan, Future Club 33 Member.