How The Conjuring 3 Is Taking Key Inspiration From A Beloved Brad Pitt Movie
We’ve known for quite a while now that The Conjuring 3, unlike its two predecessors, would not be another haunted house movie. Director/producer James Wan said as much when I spoke to him in 2017 prior to the release of The Conjuring 2, and producer Peter Safran echoed those sentiments during an interview on the set of Annabelle: Creation that same year. That idea has set up fans with special anticipation for the upcoming horror film, but also a big question: if it’s not a haunted house movie, what is it? According to director Michael Chaves, the answer is that it is more of an investigation-driven mystery, with David Fincher’s Se7en, one of the best horror movies of all time, being a key touchstone for the filmmakers.
I joined a couple of other journalists on a trip to the Warner Bros. lot in Burbank, California this past week for an interview with Chaves about The Conjuring 3 – or as it is officially known, The Conjuring: The Devil Made Me Do It – and it was while talking about genre that the filmmaker explained what audiences should expect from the narrative. Given the title of the movie is taken from the legal defense used by one of the people in the true story on which the film is based, I asked if we should be anticipating a courtroom drama, and the director explained.
Released in 1995, Se7en was the second film directed by David Fincher and centers on a pair of detectives (Brad Pitt, Morgan Freeman) hunting down a sadistic, psychotic serial killer who chooses his targets based on the seven deadly sins. The movie was a massive hit when it was first came out, part of a wave of crime-centric horror features released in the wake of Jonathan Demme’s Oscar-winning The Silence Of The Lambs, and 26 years later people continue to hail it as one of the best of its subgenre (James Wan and Michael Chaves evidently included).
Without going into full detail regarding exactly what it is that Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) will be investigating, the Conjuring 3 director explained that part of his intention with the film is to not just have the couple spend all of their time focusing on a single location (which came part and parcel with the haunted house setup). The new movie will not only see the Warrens more on the move in the story, but it will also highlight the larger profile that they had in real life during the 1980s. Michael Chaves aid,
The Conjuring 2 features moments that suggest that the Warrens’ profile is raised following their work on the Amityville Horror case, at one point appearing together as guests on a talk show, but it seems that The Conjuring: The Devil Made Me Do It will take that idea even further. Part of that will be seeing the duo working directly alongside members of law enforcement as they look into the case of Arne Johnson – a young man who in real life murdered his landlord and then claimed in court that he was innocent because he was possessed by a demon during the time of the crime.
Just like how The Conjuring and The Conjuring 2 were inspired by real events and then taken in fictional directions, The Conjuring: The Devil Made Me Do It will feature a blend of reality and imagination, but one thing that it definitely isn’t making up is the relationship that the Warrens had with authorities. As Michael Chaves noted, the Department of Justice archives have guidelines from the era that explain how to work alongside psychics (you can check them out here), and they were partially based on experiences working with the real Warren and other “mediums” like her:
The Conjuring: The Devil Made Me Do It launched its first trailer late last month, but now it is just a few weeks away from release – so you better start planning your Conjuring Universe rewatch schedule now. The movie will be arriving in theaters and on HBO Max simultaneously starting on June 4, and between now and then be sure to look out for more from my interview with Michael Chaves right here on CinemaBlend.
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Eric Eisenberg is the Assistant Managing Editor at CinemaBlend. After graduating Boston University and earning a bachelor’s degree in journalism, he took a part-time job as a staff writer for CinemaBlend, and after six months was offered the opportunity to move to Los Angeles and take on a newly created West Coast Editor position. Over a decade later, he's continuing to advance his interests and expertise. In addition to conducting filmmaker interviews and contributing to the news and feature content of the site, Eric also oversees the Movie Reviews section, writes the the weekend box office report (published Sundays), and is the site's resident Stephen King expert. He has two King-related columns.