How Meryl Streep Came Up With Her Character’s Conclusion In Adam McKay’s Don’t Look Up
That was unexpected.
The following story contains major spoilers for Adam McKay’s Don’t Look Up, including details about the ending. So don’t read this unless you have seen the movie, or simply don’t care about spoilers.
By the end of the dark satire Don’t Look Up, society has failed to stop the comet that was aimed straight at our planet, mainly because we ignored science and couldn’t figure out how to work together as a global community to prevent a preventable disaster. While many people gather around a dinner table and make peace with their decisions, the greedy elite escape in a spaceship, and hope to find another hospitable planet. One of those travelers is Meryl Streep’s U.S. President Orlean, and she survives until the castaways find a new world… and then she gets eaten by an alien creature.
While the bulk of Adam McKay’s screenplay is exactly that, scripted, the comedic director also likes to let his actors play around in scenes, and as he told Variety, it was during an improvisation on a scene that Meryl Streep herself came up with the idea for her grisly death. Here’s how McKay remembers it:
By that stage of the story, Mark Rylance’s creepy tech genius has revealed that the data points collected on each person by his software could predict accurately how you were going to die. And President Orlean was going to get eaten by something he called a “brontaroc.” Streep loved it, so McKay ran with it, telling Variety:
And so, they do. In the post-credits scene of Don’t Look Up, the survivors land on a planet that exists thousands of years from Earth. The oxygen is increased on that planet, and the people walk around with no clothes. When Orlean sees what looks like an ostrich creature, she approaches it, and it eats her face off. Mark Rylance says, “I believe that’s called a brontaroc,” and the prophecy has been fulfilled.
Don’t Look Up isn’t that strange the whole time through. The A-list cast does an OK job of selling the anger and frustration that comes with society ignoring a doomsday scenario. But while Adam McKay saw the movie as his answer to climate change, I substituted “COVID” for “Comet” and saw too many familiar decisions being made on screen, making the movie more realistic than amusing. You know, until an alien ate the president’s face.
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Sean O’Connell is a journalist and CinemaBlend’s Managing Editor. Having been with the site since 2011, Sean interviewed myriad directors, actors and producers, and created ReelBlend, which he proudly cohosts with Jake Hamilton and Kevin McCarthy. And he's the author of RELEASE THE SNYDER CUT, the Spider-Man history book WITH GREAT POWER, and an upcoming book about Bruce Willis.