How Pixar’s Dug Days Team Benefited From Working At Home
The Pixar Animation Studios team working on Dug Days produced the series entirely from home. While the global pandemic has caused various companies to explore working from home, it was especially daunting to Pixar animators who are used to working in a hands-on collaborative environment. It turns out that working from home benefited the Dug Days team and the stories they told.
Dug Days is a Disney+ spinoff series of Pixar’s feature film Up centered around the loveable talking dog, Dug, and his human, Carl. The new collection of shorts feature everyday events in and around Dug’s backyard that provide a humorous and heartwarming window into how our furry friends see the world. I spoke with writer/director Bob Peterson and producer Kim Collins about working on the series from home, and Peterson shared the following upside:
Disney and Pixar’s Dug Days is really about family. We mourned with Carl when his wife passed in Up, and now we get to see him create this family for the next chapter of his life, which includes Dug, along with some friends and neighbors. When writing stories about family, and families with pets, what better way than while actually looking at and talking to family members and their pets?
Bob Peterson also mentioned seeing kids pop into meetings, which we all know can be disruptive to certain meetings at certain times, but in this case, he saw it as a way for the kids to learn about animation. I remember not really understanding what my parents' jobs were as a kid; I think I more saw work as a place they went for the day and then they came back. As an adult, I’ve found it a bit difficult to explain certain work to those who haven’t experienced it, so it’s really cool that some of the children of people on the Pixar team got to experience animation behind-the-scenes first hand.
Kim Collins, producer of Dug Days, also shared some benefits of working from home. Her perspective leaned more toward the logistics of the job and how she could best replicate the culture and environment of the offices at Pixar Animation Studios. Here’s what Collins told CinemaBlend:
If you’re fascinated by animation like me, it’s always exciting to peek behind the curtain. And while multiple teams and departments work on a single project, they’re not working on the same piece at the same time and often don’t get to see all the pieces fit together until it’s finished. As Kim Collins mentioned, the lighting artists wouldn’t normally attend the animation dailies, but working from home and meeting on Zoom provided the opportunity for that to happen, and all were able to learn from it.
Dug Days is now streaming exclusively on Disney+.
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