The Haves And The Have Nots Review: Tyler Perry-ish In The Best And Worst Ways

Melodramatic and over the top in a delicious, soapy kind of way, Tyler Perry’s The Haves And The Have Nots exists right smack dab in the middle of the title director’s wheelhouse. Between the large interconnecting cast of characters spanning multiple socioeconomic levels to the buried secrets hidden beneath a mountain of rocks, it is the most Tyler Perry-ish thing on television.

As a general rule, Perry tends to be at his best when he’s working with dramatic and scandalous material. He’s particularly good at spinning a morally corrupt and shocking web that slowly ensnares a large cast over the course of its runtime, and here, he’s given himself the ability to do so. By the end of the first episode, “The Big Surprise”, the audience is given reasons to distrust damn near every character on the show, which makes for a combination fun and eye roll-inducing watch along the lines of Revenge.

At its core, the show follows two families that are a whole lot more interconnected than they realize. One of the clans is headed by patriarch Jim Cryer (John Schneider). He’s a powerful judge with a penchant for prostitutes. His son is in rehab. His daughter cuts herself, and his wife is distant. The other clan is headed by Hanna Young (Crystal Fox). She’s the Cryer’s housekeeper and unbeknownst to her employees when the action first begins, Jim’s new favorite prostitute (Tika Sumpter) is actually her daughter.

That tangled web actually spins a whole lot further with bitchy best friends, rehab counselors and tow truck-driving brothers by the end of the first episode. Altogether, it’s pretty damn ridiculous, and with its Savannah, Georgia setting, the show feels like a bit of a throwback. It’s not nearly as quickly paced or reliant on technology as most modern day nighttime soap operas. From a technical standpoint, The Haves And The Have Nots is really pretty mediocre. The acting is, on the whole, pretty bland. There’s nothing particularly interesting about the way the action is put together or how Perry chooses to pace the show out. All of it has been done a countless number of times, but that doesn’t mean there’s not value here.

If a viewer is willing to just go with it, there is plenty of fun to be had with The Haves And The Have Nots. The show completely realizes its melodramatic nature, and it has fun with it. In fact, its primary goal seems to be to take the plot in different directions and keep the audience on edge. That might not be a recipe to achieve Six Feet Under level greatness, but hey, Desperate Housewives was pretty damn fun for awhile too.

Tyler Perry's The Haves And The Have Nots airs on Tuesdays at 9 PM EST/ PST on OWN.

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Mack Rawden is the Editor-In-Chief of CinemaBlend. He first started working at the publication as a writer back in 2007 and has held various jobs at the site in the time since including Managing Editor, Pop Culture Editor and Staff Writer. He now splits his time between working on CinemaBlend’s user experience, helping to plan the site’s editorial direction and writing passionate articles about niche entertainment topics he’s into. He graduated from Indiana University with a degree in English (go Hoosiers!) and has been interviewed and quoted in a variety of publications including Digiday. Enthusiastic about Clue, case-of-the-week mysteries, a great wrestling promo and cookies at Disney World. Less enthusiastic about the pricing structure of cable, loud noises and Tuesdays.