Katharine McPhee Gets A Lead In NBC's Smash
You know what really grinds my gears? A few years ago, I came down with a debilitating case of the McPheever. I couldn’t get enough of that smile and those curves. It was more than this man could take, at least at the time. Now I’m mostly over it, but whenever I try to reminisce about the clammy hands and the cold sweats, people condescendingly say, “Oh you mean Bieber Fever?”. No! I do not mean Bieber Fever. I mean McPheever, as in the automatic body response one encounters after being exposed to too much Katharine McPhee. This asshat with his wavy hair and delicate features can’t just waltz in and start a monopoly on cute terms associated with head sweats. The McPheever needs to make a comeback, and here and now it starts.
According to Zap2It, McPhee has been cast as one of the leads in NBC’s new pilot Smash. The musical/ drama/ farce follows a proposed Marilyn Monroe Broadway show that encounters trouble from the onset. The former American Idol star will play a struggling actress desperate for the lead.
Normally, I’m not the biggest fan of music to television crossovers, but she was great when McPheatured in The House Bunny, and I’d love another chance to McPheast on that lusciousness again.
CINEMABLEND NEWSLETTER
Your Daily Blend of Entertainment News
Mack Rawden is the Editor-In-Chief of CinemaBlend. He first started working at the publication as a writer back in 2007 and has held various jobs at the site in the time since including Managing Editor, Pop Culture Editor and Staff Writer. He now splits his time between working on CinemaBlend’s user experience, helping to plan the site’s editorial direction and writing passionate articles about niche entertainment topics he’s into. He graduated from Indiana University with a degree in English (go Hoosiers!) and has been interviewed and quoted in a variety of publications including Digiday. Enthusiastic about Clue, case-of-the-week mysteries, a great wrestling promo and cookies at Disney World. Less enthusiastic about the pricing structure of cable, loud noises and Tuesdays.